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robert dunlop who passed away at nw2oo may 2008

In honor of a gret man and great bicker.

In this video we demo the G Lab True Bypass Wah Pad. Very cool device that you want to consider for your wah pedal and other effects. For the demo we use a Gibson Les Paul Standard guitar and a Dunlop Cry Baby Zakk Wylde Wah Pedal. For more info on the wah pad go to: http://www.glab.com.pl To order the pad or for questions contact Ben at: ben@blackhawkmusic.co.uk or visit the Black Hawk Music site at: http://www.blackhawkmusic.co.uk

www.ProGuitarShop.com-The Dunlop Jimi Hendrix FuzzFace is another shining example of the dedication of Dunlop's engineers to bringing you the vintage tones you've been looking for. The Jimi Hendrix FuzzFace is an exact duplicate of the 1969 Dallas Arbiter Fuzz Face that Jimi used. This is not only an exact copy, the Dunlop engineers went through a pile of FuzzFace madness and replicated the ones they found to have the magic "Voodoo" tone. This recreation is point-to-point wired with the highest quality components to give you the exact tone Jimi was famous for. The Jimi Hendrix FuzzFace is chock full of sweet fuzzy goodness. This pedal was modeled after the later silicon based Arbiter pedal. It isn't quite as muddy as it's germanium counterparts and gives you an awesome, cutting tone that will put your lead out front of the mix. Back off the volume knob and experience incredible clean tones with lot's of chime and character. The Jimi Hendrix Fuzz Face is also true-bypass (ok, so the replication isn't exact) to keep your signal clean and pure. This FuzzFace is incredible for blues or classic rock. The Jimi Hendrix FuzzFace is the missing link in your tone.

Gear demo. Yes you can get a decent clean sound out of an unmodded Marshall 4203. Yes you can play funk with a Morley Bad Horsey 1 wah pedal. User reviews claim otherwise, you decide. (And yes you can play high gain modern wah solos with a Dunlop Crybaby GCB-95.) I don't work for these companies. I couldn't find any Marshall 4203 clips nor any clean Bad Horsie clips anywhere before I gambled on my purchases, so here you go. Speaker is to the far left in the cab so the mic is an inch or two from the left edge of the speaker just slightly off axis toward the dome. I did no mic testing for anything but level, I slapped the mic right there and never moved it. God love the SM57. The mic by the desk picking up my comments (and the opening voiceover) is a Studio Projects C1 large diaphragm condenser. I muted that track during the guitar bits so all you hear is SM57. If you're obsessed with sparkling glassy clean amp sounds that bring a tear to your eye (Fender Twin) you won't be knocked out by this amp, but it's a perfectly serviceable clean sound for the rest of us. Many people at harmony-central user review site swear by the C13 mod (clipping the capacitor, see harmony-central dot com for details in some reviews), but guys in the 3203 reviews say the modification ruins the gain channel. You could install a toggle switch on that cap. But I don't mind the clean channel on this amp; I do turn down the treble and mid, and it's against my nature to turn down the mid, but on this amp it's true that the mid is pretty high and harsh on the clean channel. I do wish I had included some midgain sounds, maybe next time. The gain sound here is with the boost channel preamp knob all the way up. This thing will bellow like a happy moose when the master's cranked, and as well through a 4x12, 6x10 (Acoustic 104), 1x10 closed back Earcandy with a Jensen Mod 50, or any other cab. A great blues combo, every kind of tone or gain structure you'd ever want. I'm in love with the single tone control on the boost channel, that channel is fantastic at many volume, gain, and tone settings. One more thing: shorty after I put this video on youtube I pulled it to fix a caption, and therefore lost all existing comments when I put it back on--but I'm compelled to preserve here my favorite one of those early comments...it read simply and eloquently for all posterity: "Nice shoes wank face." You can hear me play actual songs on my record--visit my youtube page for details. On the song "Rocket Pogo" I played this same Strat Plus when it had a no-name salvage humbucker in the bridge, using this very Crybaby wah prominently. The whole album was done with this Strat, mainly through a Lab Series L5 amp through the dirty channel. If download any of the tunes or buy the whole CD, send me a note if you want a breakdown of what I played on which tunes. On this gear demo video: Guitars: 2001 Gibson Les Paul Studio Plus neck pickup: Gibson '57 Classic bridge: '57 Classic Plus 1991 Fender U.S.A. Strat Plus Fender-Lace Sensor pickups: neck/middle: gold bridge: silver Amp: 1989 Marshall model 4203 (Artist 30) 1x12 combo no modifications Groove Tubes (GTEL34R, 5's) Normal channel: treble & mid 1.5, bass 7, vol 2 Boost: tone 5, gain 10, vol 2 Wah pedals: Early '80's Dunlop Crybaby GCB-95 Morley Bad Horsie 1 (VAI-1). Auto-off set to instantaneous. You can open the pedal and adjust a pot for up to 3 seconds of delay before the effect shuts off. Many people set it for about 1/2 second delay so if you rock your foot back too far in the middle of a solo the effect doesn't shut off. I'm not finding that to be a problem, there's a good bit of travel in the low end of the sweep before you hit bottom, and even if you do you're back in action as soon as you rock your foot forward. Recording chain: Shure SM57 mic to Behringer UB1202 board to M-Audio Audiophile 2496 sound card to e-Machines PC hard drive. Edited with Cool Edit Pro 2.0, no EQ or effects in recording/mixdown.

Video of new Dunlop racquets with Aerogel technology

www.ProGuitarShop.com-The Dunlop Jimi Hendrix Octavio is an exact clone of Jimi's cheese wedge pedal that is enshrined at the Experience Music Project in Seattle. The Dunlop engineers took great pains to bring the tone of this infamous pedal straight to you. Straight up Live at Fillmore tone and screaming fuzz is at your toetips with the Octavio. Complete with a switching Level knob to turn the unit off, the Jimi Hendrix Octavio recreates the exact breadboard circuit as the original. The Dunlop Jimi Hendrix Octavio is fuzzy and warm. The Octavio is not a high output pedal. This baby was built to vintage spec and it sounds vintage. Put your strat in the magic neck position and solo around the 12th fret and you'll see what I mean. Purple Haze has never sounded so exact. The octave effect is subtle just like the original but in front of a cranked Marshall, nothing is subtle. This pedal is best used in front of an already cranked amp, but can be used as a primary fuzz pedal by increasing the Fuzz knob. If you've been looking for that secret tone, the Jimi Hendrix Octavio is it.

To everyone who is wondering how the boss and dunlop pedals sound like... i made a video to give you guys an idea. i hope i could be of any help ^_^ dont mind my playing, i know i need more practice hahahaha!

The Arrest of Perry Dunlop at His home.

BBC NI 2008

tribute to the greatest riders in motorcycle racing history

This movie show the difference in performance of 3 Sportouring tires of major brands during the launch of the Dunlop Sportmax Roadsmart. The European motorcycle press comfirmed that the Dunlop Roadsmart is the best tire in all condition in all circumstances.

The first attempt to arrest Perry Dunlop

Haapsalu Kiltsi lennuväli, 31.05.08

www.ProGuitarShop.com - The Dunlop EVH95 Eddie Van Halen Signature Wah Pedal recreates Eddie's infamous "Holy Grail" wah pedal with it's high Q inductor and unique worn sweep. Dance the night away with the Dunlop EVH95 Eddie Van Halen Signature Wah Pedal.

john ore on bass

DUNLOP CUP 28.6.2008. Automotodrom Grobnik Klasa 600 i FUN Aprilia Tuono Factory (on board) Pobjednik klase fun

www.ProGuitarShop.com - Dunlop ZW-45 Zakk Wylde Signature Wah Pedal - Modern Crybaby master Zakk Wylde and Dunlop have joined forces to deliver the toughest, meanest wah pedal on the planet. Built from the ground up with great tone and rugged durability in mind, this pedal can stand up to the crushing stomp of metal's reigning king of lead guitar. The Wylde Wah features a heavy-duty raw-metal casing and roadworthy components to withstand years of ass-kicking abuse. With guts that have been finely tuned to Zakk's specs, this wah is specially voiced to deliver an extra thick and cutting tone. The Wylde Wah—available only from Dunlop Manufacturing, the world's leader in wah pedal technology.

The English number 1, James Willstrop, was looking for his first British Open title against the 3 times champion, David Palmer... it went down to the wire! Peter Nicol with Omar Kandili on the commentary.

Dunlop Mini Miglia Challenge Racing from Donington Park 2007

Roger Lee talks about the depth of the Supersport field for 2008 and the new Kawasaki Superbike.

Scottish comedian Dougie Dunlop doing his unique brand of comedy live at Jongleurs October 2007

Guitar World's gear editor Paul Riario demonstrates the features of the Dunlop Authentic Hendrix Series Pedals. For more gear reviews, lessons, interviews and more check out guitarworld.com!

A demo of my friend Jason's Jim Dunlop Crybaby Wah pedal

I'm using a Yamaha RGX 220 DZ with elixir strings and pick jazz 3. The sound is the Dunlop Zakk Wylde cry baby, boss ds-2 distortion, and boss dd-3 delay